For some time now, I have wanted to share the feeling I experienced in Palermo on November 19, after an intense period marked by film shoots as assistant director on Cruce de Caminos by Bárbara Fernández, as production manager on Il peso dell’acqua by Dario Parisi, and the post-production of
About a year ago, the XP|30 journey began — one of the most ambitious projects I have created so far, conceived as a tribute to Sicilian culture and womanhood. Today, September 30th, I am thrilled to share with you one of the very first compositions from the conceptual album that
Madri, figlie e sorelle nostre. Siciliane sempre.
This past March, I completed the Curso de Cinematografía y Montaje para Publicidad, a training program organized by ESCAC in collaboration with Pixelian, the school of film and visual arts. Throughout the course, we set out to understand, in a hands-on way, how an audiovisual marketing campaign is built from
Madri, figlie e sorelle nostre. Siciliane sempre.Madri, figlie e sorelle nostre. Siciliane sempre.
A few months ago, I concluded a series of posts chronicling my journey as a Direttore di Produzione in Palermo. Yet, the call of the set has brought me back, this time for a brand-new experience. Last weekend, independent cinema witnessed an exhilarating race against time, driven by the talent
Unit Production Manager 4 of 4 | By Sabrina Greco Here it is, the conclusion of this series of short films in which I have been involved as the Unit Production Manager. These new projects have taught me to set aside the artistic and creative aspects to focus more on
Unit Production Manager 3 of 4 | By Davide Moscarello Davide Moscarello and Marta Romano, have created an artistic synchronicity reflected in this cinematographic piece called “Guardando una stampa”, a short film that looks for offer the audience a break from the ordinary, a space where humour and comedy become
